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・ KF Valbona
・ KF Velebit
・ KF Vllaznia Shkodër
・ KF Vllaznia Shkodër (women)
・ KF Vlora
・ KF Vëllaznimi
・ KF Çakrani
・ KF Çlirimi
・ KF-26777
・ KF1
・ KF2
・ KF3
・ KFA
・ KFAB
・ KFAC
KFAC (radio station)
・ KFAE-FM
・ KFAI
・ KFAL
・ KFAN
・ KFAN (AM)
・ KFAN-FM
・ KFAQ
・ KFAR
・ Kfar Abida
・ Kfar Adumim
・ Kfar Ahim
・ Kfar Aviv
・ Kfar Avoda
・ Kfar Aza


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KFAC (radio station) : ウィキペディア英語版
KFAC (radio station)

KFAC was a commercial classical music radio station in Los Angeles, broadcasting for most of its life on 1330 kHz AM, and subsequently in both simulcast and separate programming on 92.3 MHz FM as well. "Only 41 of nearly 9,000 commercial radio stations in the United States play classical music" and KFAC was considered one of the best. On September 20, 1989 at 2 p.m., new owners changed both its name and its format, depriving Southern California of a major cultural institution. During its heyday, the station was arguably the most important cultural organization in the Los Angeles area, having greater influence on lovers of classical music than even the Los Angeles Philharmonic. Announcers such as John Conte, Howard Rhines, Dick Crawford, Thomas Cassidy, Carl Princi, Fred Crane, Steve Allen, Alfred Leonard, Tom Dixon, Bill Carlson, Dick Joy, Tom Franklin, Ed Stoddard, Bernie Alan, Rodger Layng, John Santana, Steve Markham and Doug Ordunio were featured on the station. For several years, the station also carried the daily syndicated ''Adventures in Good Music'' with Karl Haas. Other regularly scheduled programs were hosted by Leonora Schildkraut, Werner Klemperer, and Gussie Moran.
== Overview ==

Many of its programs, such as "The Gas Company Evening Concert," "Luncheon at the Music Center," and "The World of Opera" lasted for decades – with the Gas Company show airing for over 40 years. The station's "DJs" also had unusual career longevity; according to some estimates, their collective tenure at the station was over 400 years. This unique staying power, and the fact that at times KFAC was the only classical musical station in Los Angeles (KUSC, its last competitor, did not convert to full-time classical music broadcasting until 1976, and despite being non-commercial never achieved the listenership of the professionally formatted KFAC) meant that several generations of Angelenos and other Southern Californians (including the southern boundaries of the San Diego metro area) grew up listening to the station. That, along with its cultural authority, gave the station a special place in their affections.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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